Thursday, October 31, 2019

Iegal concept working in restaurant Term Paper Example | Topics and Well Written Essays - 2000 words

Iegal concept working in restaurant - Term Paper Example It will seek to show what is legal under the law, the rights of the employee and the client under the law, and circumstances that can lead to claims from the customer. Basically, the Hospitality law encompasses a wide array of laws including the law of tort, contract law, real estate law, the law of anti-trust, among others (Barth, 2001). The degree to which this law relates to such laws has continuously evolved and changed accordingly to meet the dynamics of the hospitality industry. Nevertheless, this law is used greatly to set standards and guidelines that hospitality operators and employers use in offering goods and services to their customers. Typically, this law covers the history of how hospitality law came into being, the impact that state civil rights and federal laws have on the hospitality industry, and discussion of contract law such as how a customer enters into a contract with the restaurant employees or issues regarding reservations and overbooking (Langford, 2011). With the use of internet to make reservations and orders being on the rise, the Hospitality law has evolved to include such issues, as well. In addition, in the current world both the customers and the employees know their rights and the channels that they can use to launch complaints or make claims. In this regard, the Hospitality law has continually evolved as new and better knowledge keeps on emerging. In the recent past, cases of food poisoning and awareness of food illness have been on the rise with more people being interested in getting information about the restaurant that they eat from. This has brought the Hospitality law in restaurants at the front center of public conscience. In matters related to restaurant and food services, terrorists’ attacks against hotels have raised the importance of having hospitality law that will govern international affairs especially in the quest of protecting

Tuesday, October 29, 2019

Report about google analysis and PESTLE Assignment

Report about google analysis and PESTLE - Assignment Example So a PESTEL analysis has been undertaken here to show how macro factors affect a search engine like Google. These include political, social, economic, technological, environmental and legal concerns and all these help in shaping the organization its internal strategies and conform to them. Google, Inc Google Inc, the giant in internet browsing, has been founded in the year 1998. Larry Page and Sergey Brin are the founders of the revolutionary internet browser. Google’s objective was to provide its customers with a quick and easy accessible browser. Google follows the mission statement where they claim â€Å"to organize the world’s information and make it universally accessible and useful†. Their focus is to offer their users a high quality search engine. This enables Google to expand their market share and to become the most popular web browser in the world (Google, Company Overview, 2013). How Google grew in size Through its operation Google Inc became a dominan t player in the internet market by offering a simple web page crawling. Google has followed a method of excellence in whatsoever they performed which accounted for their overall success. Google always rendered their effort to provide customers with a better and a faster browser. They incorporated excess bytes to enhance the efficiency of the webpage offering their consumers with better delivery of service. Google has always given importance to the speed factor in every product they launch (Anthony, 2008). Google Inc had followed a massive growth and continued to expand through continuous acquisition. They strategized acquisition as an expansion strategy and went on adding resources towards their product line. Their acquisitions include YouTube, Google voice, blogger, Google analytics etc. Google expanded their user base and continued to absorb web developers and engineers in their team (Guglielmo, 2012). Another important expansion strategy undertaken by Google is that they have alw ays prioritized their user. With the changing time and demands of the customers, Google has always offered their customers with innovative products. They designed the new internet browser keeping in mind their targeted customer group. Their goal in this pretext is to keep on building new tool and application for the users. They always built their tools in a very simplified way keeping in mind that the user found it to be user friendly enough. Google till date had successfully catered the need of their customers

Sunday, October 27, 2019

Sound As The Medium Of Expression Music Essay

Sound As The Medium Of Expression Music Essay A form of art that uses Sound as the medium of expression, Music is the universal language spoken around the globe. It is a major part in cultures around the world, bringing people together from different backgrounds and social circles, if only to indulge themselves in one of the finest treats; Listening to good music and dance. Around the world, music is directly related to happiness and peace. The animatics used in the particular video I have selected give a play by play description of how music affects lives globally. It does not matter whether a person is from the United States of America or from as far as the Netherlands, music is the ever present entity that connects individuals to each other like no other entity can. Be it a complete burst of absolute happiness or a splat of depression, Music is the one entity, that one quintessential being that easily expresses all the feelings of a person, giving vent to silent anger/rage or complete articulate bliss. In making my animatic, I have used photographs of people from across the globe. Using a narrative style of expression, the video takes viewers through the lives of the individuals appearing on the screen as they express how music changed their life or how it just gave them a reason to live. The different narrators appearing in the shots in the animatic talk about how and why Music is a big part of their lives most of them even going so far as to say that without Music and Dance, life would not be worth living. Every actor is given a close-up shot, in order to make them seem more relatable and generally more realistic. (Gender goggles, Narrative as essence of film) From the non-narrative perspective, the film was made on a very small budget and is an amalgamation of different snap shots depicting people in different positions/action sequences, run together so as to make a full-fledged film with a basic theme: Music is everything. Starting from Ankara, the viewer is made to travel across the globe through England, Russia and finally Nepal. Each individual narrates his/her own story and talks about how music has played a great part in effectively changing their lives. Films, being viewed universally by audiences of vast backgrounds and different ken, cannot be confined to a particular language unlike the literary works of art that have made so many artists famous all over the world. The works of art that are produced within the magical cinemas across the world contain messages that have to be delivered to a vast audience around the globe. Thus, they usually conspire to achieve this objective by making use of the medium of expression(s) such as via photographs, videos, etc which is not limited to a select audience but can be viewed by a vast number of people from different backgrounds, without the hindrance of one particular language. (Language of Film) For this reason, Christian Metz states, in reference to film semiotics, à ¢Ã¢â€š ¬Ã‚ ¦thus, cinema is a language in the sense that it is a technico-sensorial unity, graspable in perceptual experience. With reference to my animatics, the language in common that I have used is English, as it is the most spoken language around the globe and is therefore easily understood by almost the whole world. The native languages of the narrators in the video have been translated to English for the ease of the viewers understanding. The shots have been so arranged so as to give a sequential plot to the story. It is however important to keep in mind the exact timing of the who, what, where, when and how elements of any story before it can be presented as a finalized version to any audience. Too much time taken in either of these can cause the audience to lose interest, and the story to lose flavor. (Semiotics and Film Theory) Each shot starts from Who, taking a close-up of each individual so that the audience can easily relate to them as they narrate their story. Before each new story frame begins, a hand drawn map indicating the country Where the incident is taking place comes up on screen, with an arrow pointing towards the exact location. However, in order to help the audience better relate to the plot and the actors, the shots taken of the location are mostly MCU and MS; this shows what the subject is doing, and presents him/her in an objective light to the viewer. A close up of each individual is important to make the audience feel as though they somehow know the person intimately, and this is followed by a few short photos that show How each individual expresses his love for music; these can be dancing, listening to music or simply singing. The ideology behind the film relates to how music spreads happiness across continents, irrespective of social/cultural barriers. (Hughes, Film and Ideology) There is no right and wrong only an objective depiction of how the art of music brings into the lives of all the people it reaches certain happiness that light up the darkness around. There is no place around the globe where Music has not penetrated; no soul on the planet left unturned by the soulful music that erupts forth from blasting speakers rocking a party; or simply calming the racing heart of an over stressed individual. From 9 years to 90, music is the language spoken by all. It spreads love and joy wherever it goes, and is also there to give company when a person is upset or sad. This film bases its animatic placements on the importance of music in our lives, and aims towards projecting the positive view people have of music for those who are against it (religiously, or other wise). It serves to logically define the boundaries that separate individuals from one another, while at the same time aiming towards and achieving a complete eradication of the very boundaries it first talks about. After showing the different stories of individuals so uniquely affected by music, it follows on to show the rise in perception of music in different parts of the world; and how this gift of sound renders the world immobile with its absolute power and beauty. The film focuses on showing to the audience that such unique gifts as music cannot be judged, and should not be held in contempt of the different backgrounds it arises from. It is not up to mere mortals to judge the absolute importance of music, and that is the essence of this entire animatic. The world of music is too vast to be contemplated by the likes of ordinary people, and must only be enjoyed as is in its pure, raw beauty. Any particular genre being listened to must never be compared to another genre of music, as each genre is different and unique in its own style and personality of hearing. People from all walks of life are joined together by music, and as such this purity of sound must be taken in its true form. The abject framing of the film also talks about how, for music lovers, dancing is another outlet for emotion and a way to express themselves. Music is not just a way to pass the time, it is a complete culture and my animatic serves to prove that claim. The narrative and non-narrative styles used in the film pertain to explaining in a comprehensive way to the audience aptly watching, that music is acceptable in all forms to all kinds of people, from all forms of life. It cannot be differentiated from one genre to the next or, at the very least, one genre cannot be thought better than the other, as each has its own unique place in the overall setup of the Musical industry. Also, music provides a way of emanating ones culture to the outside world, and gracefully showing the better sides of ones cultural heritage. Music can help show off the richer cultures of most of the countries of the world, and as such can cross boundaries and climb barriers of culture/language and gender like no other tool across the universe is able to do. This animatic serves to provide a platform through which to showcase the importance of music around the world, and uses different cultural backgrounds to get to it. The ideology behind the films framing is that music can identify with individuals on a level no other instrument of artistic design is able to. This in itself, is an accomplishment to be cherished and cultured, as it has the ability to throw together two wildly divergent factions of society and join them in a union that is unbreakable so long as either party continues to retain a certain modicum of interest in the music being played.

Friday, October 25, 2019

Small changes for the urban teacher :: Education Teaching Learning Papers

Small changes for the urban teacher I think there are a lot of minds going to waste in our urban environments, minds that could be reinventing the world, but are, for some reason, only keeping themselves down and out of a culture that needs them. Why are there so few college bound kids graduating from our urban schools, and why are the ones who do go to college so ill-prepared when its obvious how capable they are? I claim that it is possible to change how we teach in a manner that doesn’t take more time, but yields more opportunities for the multicultural classroom to learn. Treisman’s article was not only a big resource, but a huge inspiration for my paper and personal goals. Being from a rural community, I feel very under-educated when it comes to the urban community. He gave me a lot of information, some of which I would have assumed, but was reassured to see it in writing, and some of which I would not have thought up with on my own. Another resource I used was ‘Problems and Solutions in Urban Schools’ edited by Gwendolyn Duhon. It was a very helpful tool, and written by many different authors, which was great for getting a few different voices behind my arguments. A final resource for me was ‘Becoming a Successful Urban Teacher’ by Dave Brown. This book probably helped me more personally than specifically for this paper. I loved that it went over so many of the questions I have had and left plenty of room for personal reflection. I would like to begin by saying that every teacher has his or her own personality, and the incorporation of that could alter some of the specifics of each of my principles, but I do believe the general make-up of the principles to be universal. I think that the best way my principles could be summed up would be in three stages: Pre-classroom, Firstweek, and Yearlong, each having equal importance. Pre-classroom would be the most time consuming of the stages, because it involves reevaluating all of your mathematical content knowledge. I think drastic changes would occur if the teacher could spend even one week, part-time, prior to the class, reading and questioning the text book. You could familiarize yourself with every hang-up you have, working them out as you go. You could take notes of possible hang-ups the students will have and the basics they will need to overcome these. Small changes for the urban teacher :: Education Teaching Learning Papers Small changes for the urban teacher I think there are a lot of minds going to waste in our urban environments, minds that could be reinventing the world, but are, for some reason, only keeping themselves down and out of a culture that needs them. Why are there so few college bound kids graduating from our urban schools, and why are the ones who do go to college so ill-prepared when its obvious how capable they are? I claim that it is possible to change how we teach in a manner that doesn’t take more time, but yields more opportunities for the multicultural classroom to learn. Treisman’s article was not only a big resource, but a huge inspiration for my paper and personal goals. Being from a rural community, I feel very under-educated when it comes to the urban community. He gave me a lot of information, some of which I would have assumed, but was reassured to see it in writing, and some of which I would not have thought up with on my own. Another resource I used was ‘Problems and Solutions in Urban Schools’ edited by Gwendolyn Duhon. It was a very helpful tool, and written by many different authors, which was great for getting a few different voices behind my arguments. A final resource for me was ‘Becoming a Successful Urban Teacher’ by Dave Brown. This book probably helped me more personally than specifically for this paper. I loved that it went over so many of the questions I have had and left plenty of room for personal reflection. I would like to begin by saying that every teacher has his or her own personality, and the incorporation of that could alter some of the specifics of each of my principles, but I do believe the general make-up of the principles to be universal. I think that the best way my principles could be summed up would be in three stages: Pre-classroom, Firstweek, and Yearlong, each having equal importance. Pre-classroom would be the most time consuming of the stages, because it involves reevaluating all of your mathematical content knowledge. I think drastic changes would occur if the teacher could spend even one week, part-time, prior to the class, reading and questioning the text book. You could familiarize yourself with every hang-up you have, working them out as you go. You could take notes of possible hang-ups the students will have and the basics they will need to overcome these.

Thursday, October 24, 2019

Data Flow Diagram Explain

4. 3 DATA FLOW DIAGRAM A data flow diagram is a graphical technique that depicts information flow and transforms that are applied as data move from input to output. The DFD is also known as Data Flow Graph or Bubble Chart. The DFD is used to represent increasing information flow and functional details. Also DFD can be stated as the starting point of the design phase that functionally decomposes the requirements specifications down to the lowest level of detail.A Level 0 also called a fundamental system model or a context level DFD that represent the entire software elements as a single bubble with input and output data indicated by incoming and outgoing arrows, respectively. Additional process and information flow parts are represented in the next level, i. e. , level 1 DFD. Each of the processes represented at level 1 are sub functions of overall system depicted in the context model. Any processes that are complex in level 1 will be further represented into sub functions in the next level, i. e. , level 2.Data flow diagram is a means of representing a system at any level of detail with a graphic network of symbols showing data flows, data stores, data processes and data sources. The purpose of data flow diagram is to provide a semantic bridge between users and system developers. The diagram is the basis of structured system analysis. A DFD describes what data flows rather than how they are processed, so it does not depend on hardware, software, data structure or file organization. 4. 3. 1 Components of Data Flow Diagram There are four symbols that are used in the drawing of Data Flow Diagrams: Entities External entities represent the sources of data that enter the system or the recipients of data that leave the system. * Process Processes represent activities in which data is manipulated by being stored or retrieved or transformed in some way. A circle represents it. The process will show the data transformation or change. * Databases Databases represent stora ge of data within the system. * Data Flow A data flow shows the flow of information from its source to its destination. A line represents a data flow, with arrowheads showing the direction of flow.

Wednesday, October 23, 2019

Evaluation and Analysis of Jose Rizal as a Patriot Essay

Dr. Jose Rizal is a unique example of many-splendored genius who became the greatest hero of a nation. Endowed by God with versatile gifts, he truly ranked with the world’s geniuses. He was a physician, poet, dramatist, essayist, educator, architect, historian, painter, linguist, ethnologist, surveyor, farmer businessman, economist, geographer, cartographer, folklorist, humorist, satirist, magician, inventor, translator, sportsman, and traveler. Above all of these, he was a hero and political martyr who consecrated his life for the redemption of his oppressed people. No wonder, he is now acclaimed as the national hero of the Philippines. THE BIRTH OF A HERO On June 19, 1861, the Mercado Family from the town of Calamba in the province of Laguna in the Philippines, happily greeted the birth of their newest member — a baby boy born as the seventh child to proud parents Francisco Rizal Mercado y Alejandro and Teodora Alonza y Quintos. They named the bouncing baby boy Jose Protacio Rizal Mercado. Being the seventh of a brood of eleven, Jose Rizal Mercado demonstrated an astounding intelligence and aptitude for learning at a very young age when he learned his letters from his mother and could read and write at the age of five. THE FIRST POEM At an early age of eight, Rizal wrote his first poem entitled â€Å"Sa Aking Mga Kababata†. Whenever people of a country truly love The language which by heav’n they were taught to use That country also surely liberty pursue As does the bird which soars to freer space above. For language is the final judge and referee Upon the people in the land where it holds sway; In truth our human race resembles in this way The other living beings born in liberty. Whoever knows not how to love his native tongue Is worse than any best or evil smelling fish. To make our language richer ought to be our wish The same as any mother loves to feed her young. Tagalog and the Latin language are the same And English and Castilian and the angels’ tongue; And God, whose watchful care o’er all is flung, Has given us His blessing in the speech we calim, Our mother tongue, like all the highest tht we know Had alphabet and letters of its very own; But these were lost — by furious waves were overthrown Like bancas in the stormy sea, long years ago This poem reveals Rizal’s nationalist sentiment. He proudly proclaimed that a people who love his native language will surely strive liberty and that Tagalog is equal to Latin, Spanish, English, and any other language. BEST STUDENT IN SCHOOL During his Bi SCHOLASTIC TRIUMPHS AT ATENEO DE MANILA First Year June 1872, being a newcomer and knowing little in Spanish, Rizal was placed at the bottom of the class. After the first week, he rapidly excelled and earned the title of the emperor. He was the brightest pupil of his class and he was awarded a religious picture as a prize. At the end of the year, he was placed second although his grades were still marked excellent. Second Year Having lost his class leadership on the previous year, he studied harder. Rizal received excellent grades and gold medal at the end of the year. Third Year June 1874. His grades remained excellent in all subject but he only won one medal – in Latin. Fourth Year Inspired by his Jesuit professor, he topped all his classmates in all subjects and won five medals at the end of the school year. Last Year in Ateneo On his last year, he excelled in all subject and recognized as the â€Å"Pride of Jesuits† for he is the most brilliant Atenean of his time. LITERARY WORKS WRITTEN IN ATENEO After the release of his mother, Rizal wrote his first poem during his days in Ateneo entitled â€Å"Mi Primera Inspiracion† which he dedicated to his mother on her birthday. FIRST INSPIRATION Why falls so rich a spray of fragrance from the bowers of the balmy flowers upon this festive day? Why from woods and vales do we hear sweet measures ringing that seem to be the singing of a choir of nightingales? Why in the grass below do birds start at the wind’s noises, unleashing their honeyed voices as they hop from bough to bough? Why should the spring that glows its crystalline murmur be tuning to the zephyr’s mellow crooning as among the flowers it flows? Why seems to me more endearing, more fair than on other days, the dawn’s enchanting face among red clouds appearing? The reason, dear mother, is they feast your day of bloom: the rose with its perfume, the bird with its harmonies. And the spring that rings with laughter upon this joyful day with its murmur seems to say: â€Å"Live happily ever after!† And from that spring in the grove now turn to hear the first note that from my lute I emote to the impulse of my love. Poems on Education Rizal had a very high regard for education. His poem proved that he valued education so much that may give the power of the country to survive from any forces in the struggles of societal freedom . Through education, it creates the virtue of power to human race. This gives security and peace to the motherland as the Filipinos would learn the sciences and arts as the basis to calm down the life of the society. Also he believes that education without God is not true education. THROUGH EDUCATION OUR MOTHERLAND RECEIVES LIGHT The vital breath of prudent Education Instills a virtue of enchanting power; She lifts the motherland to highest station And endless dazzling glories on her shower. And as the zephyr’s gentle exhalation Revives the matrix of the fragrant flower, So education multiplies her gifts of grace; With prudent hand imparts them to the human race. For her a mortal-man will gladly part With all he has; will give his calm repose; For her are born all science and all art, That brows of men with laurel fair enclose. As from the towering mountain’s lofty heart The purest current of the streamlet flows, So education without stint or measure gives Security and peace to lands in which she lives. Where Education reigns on lofty seat Youth blossoms forth with vigor and agility; He error subjugates with solid feet, And is exalted by conceptions of nobility. She breaks the neck of vice and its deceit; Black crime turns pale at Her hostility; The barbarous nations She knows how to tame, From savages creates heroic fame. And as the spring doth sustenance bestow On all the plants, on bushes in the mead, Its placid plenty goes to overflow And endlessly with lavish love to feed The banks by which it wanders, gliding slow, Supplying beauteous nature’s every need; So he who prudent Education doth procure The towering heights of honor will secure. From out his lips the water, crystal pure, Of perfect virtue shall not cease to go. With careful doctrines of his faith made sure, The powers of evil he will overthrow, Like foaming waves that never long endure, But perish on the shore at every blow; And from his good example other men shall learn Their upward steps toward the heavenly paths to turn. Within the breast of wretched humankind She lights the living flame of goodness bright; The hands of fiercest criminal doth bind; And in those breasts will surely pour delight Which seek her mystic benefits to find, Those souls She sets aflame with love of right. It is a noble fully-rounded Education That gives to life its surest consolation. And as the mighty rock aloft may tower Above the center of the stormy deep In scorn of storm, or fierce Sou’wester’s power, Or fury of the waves that raging seep, Until, their first mad hatred spent, they cower, And, tired at last, subside and fall asleep, — So he that takes wise Education by the hand, Invincible shall guide the reigns of motherland. On sapphires shall his service be engraved, A thousand honors to him by his land be granted: For in their bosoms will his noble sons have saved Luxuriant flowers his virtue had transplanted: And by the love of goodness ever lived, The lords and governors will see implanted To endless days, the Christian Education, Within their noble, faith-enrapture nation. And as in early morning we behold The ruby sun pour forth resplendent rays; And lovely dawn her scarlet and her gold, Her brilliant colors all about her sprays; So skillful noble Teaching doth unfold To living minds the joy of virtuous ways. She offers our dear motherland the light That leads us to immortal glory’s height. THE INTIMATE ALLIANCE BETWEEN RELIGION AND GOOD EDUCATION As the climbing ivy over lefty elm Creeps tortuously, together the adornment Of the verdant plain, embellishing Each other and together growing, But should the kindly elm refuse its aid The ivy would impotent and friendless wither So is Education to Religion By spiritual alliance bound Through Religion, Education gains reknown, and Woe to the impious mind that blindly spurning The sapient teachings of religion, this Unpolluted fountain-head forsakes. As the sprout, growing from the pompous vine, Proudly offers us its honeyed clusters While the generous and loving garment Feeds its roots; so the fresh’ning waters Of celestial virtue give new life To Education true, shedding On it warmth and light; because of them The vine smells sweet and gives delicious fruit Without Religion, Human Education Is like unto a vessel struck by winds Which, sore beset, is of its helm deprived By the roaring blows and buffets of the dread Tempestuous Boreas, who fiercely wields His power until he proudly send her down Into the deep abysses of then angered sea. As the heaven’s dew the meadow feeds and strengthen So that blooming flowers all the earth Embrioder in the days of spring; so also If Religion holy nourishes Education with its doctrine, she Shall walk in joy and generosity Toward the good, and everywhere bestrew The fragrant and luxuriant fruits of virtue Religious Poems As being born and bred in a wholesome atmosphere of Catholicism. Rizal grew up a good Catholic. With his poems, he expressed his devotion to his Catholic faith. TO THE CHILD JESUS Why have you come to earth, Child-God, in a poor manger? Does Fortune find you a stranger from the moment of your birth? Alas, of heavenly stock now turned an earthly resident! Do you not wish to be president but the shepherd of your flock? TO THE VIRGIN MARY Mary, sweet peace and dearest consolation of suffering mortal: you are the fount whence springs the current of solicitude that brings unto our soil unceasing fecundation. From your abode, enthroned on heaven’s height, in mercy deign to hear my cry of woe and to the radiance of your mantle draw my voice that rises with so swift a flight. You are my mother, Mary, and shall be my life, my stronghold, my defense most thorough; and you shall be my guide on this wild sea. If vice pursues me madly on the morrow, if death harasses me with agony: come to my aid and dissipate my sorrow! LICEO ARTISTICO-LITERARIO On 1879, a society of literary men and artists held a literary contest. It offered a prize for the best poem by a native or a mestizo. Rizal who is still a student that time submitted his poem entitled â€Å"A La Juventud Filipina†. As the judges were impressed by his poem, they gave him the first prize which is a silver pen, feathered-shaped and decorated with ribbon. It was the first great poem written in Spanish by a Filipino. It expressed the nationalistic concept that the Filipinos and not the foreigners were the â€Å"Fair Hope of Fatherland†. A LA JUVENTUD FILIPINA Alza su tersa frente, Juventud Filipina, en este dà ­a! Luce resplandeciente Tu rica gallardà ­a, Bella esperanza de la Patria Mà ­a! Vuela, genio grandioso, Y les infunde noble pensamiento, Que lance vigoroso, Mà ¡s rà ¡pido que el viento, Su mente virgen al glorioso asiento. Baja con la luz grata De las artes y ciencias a la arena, Juventud, y desata La pesada cadena Que tu genio poà ©tico encadena. Ve que en la ardiente zona Do moraron las sombras, el hispano Esplendente corona, Con pà ­a sabia mano, Ofrece al hijo de este suelo indiano. Tà º, que buscando subes, En alas de tu rica fantasia, Del Olimpo en las nubes Tiernisima poesia Mas sabrosa que nectar y ambrosia. Tà º, de celeste acento, Melodioso rival Filomena, Que en variado concierto En la noche serena Disipas del mortal la amarga pena. Tà º que la pena dura Animas al impulso de tu mente , Y la memoria pura Del genio refulgente Eternizas con genio prepotente. Y tà º, que el vario encanto De Febo, amado del divino Apeles, Y de natura el manto Con mà ¡gicos pinceles Trasladar al sencillo lienzo sueles. Corred! que sacra llama Del genio el lauro coronar espera, Esparciendo la Fama Con trompa pregonera El nombre del mortal por la ancha espera. Dà ­a, dà ­a felice, Filipinas gentil, para tu suelo! Al Potente bendice Que con amante anhelo La ventura te envà ­a y el consuelo. Jose Rizal as a literary genius The literary aspect of Rizal’s works should commend itself to each of us as an inspiration to do our own duty. I think no man can read Rizal’s novels without feeling his powerful impulse of sympathy for and understanding of the people of this country. We can be moved not only by his profound reading of human nature, but we can also be inspired to emulate, if we may, the high level of talent for which his name will ever be famous in the history of literature. To the Filipino Youth Unfold, oh timid flower! Lift up your radiant brow, This day, Youth of my native strand! Your abounding talents show Resplendently and grand, Fair hope of my Motherland! Soar high, oh genius great, And with noble thoughts fill their mind; The honor’s glorious seat, May their virgin mind fly and find More rapidly than the wind. The first line, â€Å"unfold, oh timid flower,† implies that the youth is silent, maybe daunted, and consequently has not yet gone into full bloom for whatever reason there is that may have silenced them. In the beginning stanza, Rizal encourages the youth, by telling them to hold their heads high  for they possess talents and skills and abilities that would make their country proud. The second verse can be rearranged in contemporary English to say: â€Å"Oh genius great, soar high; and fill their mind with noble thoughts. May their virgin mind fly and find the honor’s glorious seat more rapidly than the wind.† Here, Rizal calls to genious to fill young minds with noble thoughts and hopes that as they release their thinking from the chains that bind, they may be able to soar swiftly high where the joy of honor is. Descend with the pleasing light Of the arts and sciences to the plain, Oh Youth, and break forthright The links of the heavy chain That your poetic genius enchain. Contrary to the second verse, which talked about ascending and soaring to the heights, this third stanza now talks about descent, and a downward motion of the great genius to fill the earthly strokes of art and science with their magnificent ideas. Again, Rizal calls them to break the chains that bind their intellect. â€Å"Poetic genius† here does not necessarily pertain to the talent of writing poetry. Instead, the term â€Å"poetic† is simply an adjective to describe genius, meaning that it is deep and mystifying and heavy with meaning. See that in the ardent zone, The Spaniard, where shadows stand, Doth offer a shining crown, With wise and merciful hand To the son of this Indian land. Rizal challenges the youth, that in their pursuit of knowledge and wisdom they may humble the hand of Spain, whose proud chin did not look kindly upon the people whom they labelled as â€Å"Indios† and whom they treated with contempt. He dreams that in their journey to intellectual greatness they may  humble even the proudest nations that look down on them and rightfully deserve â€Å"a crown that shines, even where shadows stand.† You, who heavenward rise On wings of your rich fantasy, Seek in the Olympian skies The tenderest poesy, More sweet than divine honey; You of heavenly harmony, On a calm unperturbed night, Philomel’s match in melody, That in varied symphony Dissipate man’s sorrow’s blight; In these two stanzas, Rizal calls the youth to seek the beauty of poetry and music, which he himself values greatly as essentials in every manner of life. He claims that poetry is â€Å"more sweet than divine honey,† and that music can â€Å"dissipate man’s sorrow’s blight.† You at th’ impulse of your mind The hard rock animate And your mind with great pow’r consigned Transformed into immortal state The pure mem’ry of genius great; Speaking to the youth, Rizal says that by the very impulse of their mind, they are capable of bringing to life or animating even someting as lifeless and unmoving as a hard rock. He continues to say that the youth is able, to immortalize their thoughts and their words through the help of great genius (as he has done himself. This stanza can be arranged in a more contemporary English structure as follows: â€Å"You can animate the hard rock at the impulse of your mind; and transform, with the great power of your mind, the pure memory of great genius into immortality.† And you, who with magic brush On canvas plain capture The varied charm of Phoebus, Loved by the divine Apelles, And the mantle of Nature; Rizal here addresses the youth, comparing their abilities to a magic brush that can capture even the most majestic views and the most glorious charms on a blank canvas. Run ! For genius’ sacred flame Awaits the artist’s crowning Spreading far and wide the fame Throughout the sphere proclaiming With trumpet the mortal’s name Oh, joyful, joyful day, The Almighty blessed be Who, with loving eagerness Sends you luck and happiness. The last stanza is a charge, urging the youth to run, for a glorious crown awaits them. The â€Å"sphere† here pertains to the world, showing that Rizal believed the Filipino youth is as brilliant as those in any other nation, and is able to contend with even the strongest powers if they only set their mind to making most of what they already have. Sa Aking mga Kababata Kapagka ang baya’y sadyang umiibig Sa langit salitang kaloob ng langit Sanlang kalayaan nasa ring masapi Katulad ng ibong nasa himpapawid This first stanza in Rizal’s poem shows that long before he sprouted the first fruits of his youth, he had already placed distinguished value in the  importance of one’s mother tongue. According to these verses, if a nation’s people wholeheartedly embrace and love their native language, that nation will also surely pursue liberty. He likens this idea to a bird soaring freely in the vast, eternal sky above. Pagka’t ang salita’y isang kahatulan Sa bayan, sa nayo’t mga kaharian At ang isang tao’y katulad, kabagay Ng alin mang likha noong kalayaan. Language here is likened to a people born into freedom. In Rizal’s time, Filipinos were held in slavery by Spain. Rizal, however, believed that if the people treasured and loved and used their mother tongue, it would become a symbol of relative freedom, and of identity. Ang hindi magmahal sa kanyang salita Mahigit sa hayop at malansang isda Kaya ang marapat pagyamanin kusa Na tulad sa inang tunay na nagpala It is here in these lines of verse that we find Rizal’s famous quote: â€Å"He who does not love his own language is worse than an animal and smelly fish.† He further adds that Filipinos must work to make the language richer, and likens this endeavor to a mother feeding her young. The native tongue is now compared to a helpless child that must be nurtured in order to grow and flourish. Ang salita nati’y tulad din sa iba Na may alfabeto at sariling letra, Na kaya nawala’y dinatnan ng sigwa Ang lunday sa lawa noong dakong una. These last lines may very well be referring to the Alibata, or the old Filipino alphabet whose characters are unique in every essence, finding no likeness in any other alphabet. The Tagalog language, according to Rizal, has letters and characters of its very own, similar to the way other â€Å"elite  tongues† do. These letters, however, were overthrown by strong waves and lost, like fragile, fickle boats in the stormy sea, many long years ago.